

You’re right, though the melodrama and swashbuckling of Space Opera definitely lend themselves more towards the soft sci-fi/sci-fantasy end of the spectrum. Sort of, “if the characters and plots don’t need to bear much relation to the real world, why should the setting?”
Agreed, which probably means they were on it because of stuff like documented previous flooding (like when it flooded in the fuckin’ 80s and girls died) and that makes it all the more egregious that they worked to get themselves off of it. The camp owner is starting to seem less like a hero and more like someone feeling fully warranted shame and fearing divine judgment.